Written by author and news reporter Daniel Millhouse, this blog is about pop culture, sports, science, and life in everyday America.
Sunday, November 30, 2014
Baseball Hall of Fame Eligibility Rule Change
A week ago, the Baseball Writer's Association of America (BBWA) announced the list of eligible players for the Baseball Hall of Fame ballot and new rule changes.
Among the changes, after a player retires, after the five year grace period after their retirement, they are eligible to remain on the ballot up to 10 years, compared to the previous allotment of 15 years. Currently three players are beyond the 10 year period (Lee Smith, Don Mattingly, and Alan Trammell), but will be allowed to remain on the list until the 15 years is up, under a grandfather clause.
I am torn by this rule. I am under the belief that if a player is good enough to be voted into the Hall of Fame, that it is the duty of the writers to elect them as soon as they can. Some writers will purposely hold off on players and let them remain on the list for several years, before deciding to vote for them. This is wrong. The only time I think a writer should refrain from voting a player in when they are eligible, is when they believe that over 10 players deserve to legitimately be voted in, but are constricted by the fact that they can only vote up to 10 players. In this case, they must choose who they think are the top 10 players eligible for the Hall of Fame out of the 10 plus players they feel should go. Within a 10 year player, I think if done right, all players eligible who should be in the Hall of Fame, should have been voted in already.
Unfortunately, the writers don't always see things this way. The most recent case being Bert Blyleven. While his stats proved he deserved to be in the Hall of Fame, he could never manage to gather 75 percent of the votes that it took to get in. It wasn't until his 15th and final year of eligibility, before he received enough votes to be inducted. Players such as Bert Blyleven and Jack Morris had to almost campaign like a politician to be voted in by the writers. Morris couldn't garner enough votes by year 15.
This year will be year 15 for "Donnie Baseball" Don Mattingly, who has refused to hit the radio and television sports talk shows to sway the writers in his favor. Mattingly will most likely fall of the ballot, but not without serious consideration. His stats shows a great career and he was one of the few players in baseball history to have the title of "Captain" in a Yankees uniform, but they don't quite show that he was a Hall of Famer. I do believe that after his 21st year of retirement, when he is eligible to appear on the Expansion Era Committee ballot, he should receive some serious consideration.
With the new rule in effect, the player that will be first up against the 10 year cutoff point, will be Mark McGwire. He is currently on his ninth ballot this coming year and if the past elections have been any indicator, he will probably not receive near enough ballots this time around either.
Monday, November 24, 2014
Best Christmas Movies You Should Have Seen
It's that time of year where no matter where you are, especially if you are out shopping, you are surrounded by Christmas music, decorations, lights, and just about everything imaginable. On television, cable stations flood their outgoing feed with Christmas movies that they can only show at this time of the year. Many of these movies are crap, but some are almost requirements to have seen if you call yourself American. In no particular order, I present to you the top ten Christmas movies you should have seen.
1. Miracle On 34th Street: I start with this one because actor Edmund Gwenn, who played Kris Kringle himself, played the part of Santa flawlessly; possibly the best Santa in a movie ever. Recently it also has popped up on some people's Google searches because Susan, the little girl that Santa befriends, is played by Natalie Wood, the focus of the reopened accidental death case involving Robert Wagner and Christopher Walken. In a post World War II (1947) era, this movie solidified the image of a glorified 1940's and 1950's era that many reminesce about.
2. Bad Santa: The opposite of Edmund Gwenn's Santa, Billy Bob Thornton plays a dark and twisted robber who poses as a mall Santa to rob mall anchor stores. It's everything that is wrong with Christmas, but somehow still comes off as humorous. Also this movie features that last filmwork by actor John Ritter. At the end of the movie, the darkened heart of Billy Bob opens up as he risks everything to get the little boy a Christmas present. On a side note, this movie also features one of the best movie lines of all time, "Fuck me Santa! Fuck me Santa! Fuck me Santa," as said by actress Lauren Graham.
3. The Grinch: Speaking of dark hearts cracking open at the end, the Grinch is possibly the best character that Dr. Seuss ever created. Now the Jim Carey version lacked what the animated one did...heart. The animated one is about best Christmas movie to watch with your young ones, but not be bored by some message that will make you want to down a shot of Jack Daniels after they go to bed. The Grinch also has a twentieth century classic Christmas song, You're A Mean One Mr. Grinch.
4. National Lampoon's Christmas Vacation: Chevy Chase's Clark Griswold is the everyday dad trying to create the perfect Christmas for his family. From a house massively decorated in lights and annoying his neighbors to a family dinner ruined by the police busting in after Clark kidnaps his boss over a laughable Christmas bonus, Clark feels the pain of a Christmas not going to plan.
5. It's A Wonderful Life: This one speaks well to the current climate of American society...the banker is the evil guy. Featuring an almost suicide by Jimmy Stewart's character until an angel intervenes, this movie actually flopped while it was shown at the theaters. Through television, it survived and became a staple of television stations for over a half a century. This movie also coined the phrase, "Everytime a bell rings, an angel gets his wings."
6. A Christmas Story: The best Christmas movie of the 1980's, this movie features a boy focused on trying to get a Red Ryder BB Gun for Christmas. He deals with a Santa that pushes him down a slide, licking a frozen pole, and a father who receives the sexiest lamp ever. Peter Billingsley's glasses also became an iconic look for the nerdy boy.
7. Scrooged: Bill Murray plays a television exec who has lost his Christmas spirit. A spectacularly funny performance by Carol Kane as the Ghost Of Christmas Present is the perfect match to Billy Murray's Frank Cross. In their pairing, unexpectedly bust Bill's balls...literally.
8. Gremlins: Not very well known as a Christmas movie, Gizmo was possibly the cutest Christmas present a parent could present their son. Unfortunately the three important rules were broken and a small town's Christmas is overun by small, green looking monsters. Despite the troubles, eighties children grew up wanting to own their very own mogwai.
9. Home Alone: Mac's best performance of his career, he was chased by Goodfellas star Joe Pesci and Wonder Years voice Daniel Stern. Forgotten by his departing family on their Christmas vacation, Mac survives on his own and staves off the would be burgulars from robbing his home.
10. A Charlie Brown Christmas: More like a Christmas short movie, I still count this classic because of genuine warm feeling you get when you watch it,. Charlie Brown picks the worst Christmas tree in the lot, which at first couldn't even support one Christmas decoration, but with the help of his friends, has the classic tree any family should have. A b-story of Snoopy decorating his doghouse is also classic.
Honorable Mentions:
The Nightmare Before Christmas (I know many of you are reading this and saying what the hell?! Only honorable mention? Yes, I dislike Disney. Plus unlike some of the other Christmas specials/movies Disney has done in the past, this one is massively commercialized.)
Elf (James Caan is one of the best actors of all time and Will Ferrell is so new to the life experiences he comes across. Zooey Deschanel would also make a big step in this to mainstream her career.)
Rudolph, the Red Nosed Reindeer (A holiday classic, with the best characters being Yukon Cornelius and Bumble the Yeti.)
Die Hard ( Yes, you read that write. Almost making my list, this is probably the most action packed Christmas movie ever. It features a performance by Alan Rickman that is outstanding. He is one of the best villains in movie history.)
1. Miracle On 34th Street: I start with this one because actor Edmund Gwenn, who played Kris Kringle himself, played the part of Santa flawlessly; possibly the best Santa in a movie ever. Recently it also has popped up on some people's Google searches because Susan, the little girl that Santa befriends, is played by Natalie Wood, the focus of the reopened accidental death case involving Robert Wagner and Christopher Walken. In a post World War II (1947) era, this movie solidified the image of a glorified 1940's and 1950's era that many reminesce about.
2. Bad Santa: The opposite of Edmund Gwenn's Santa, Billy Bob Thornton plays a dark and twisted robber who poses as a mall Santa to rob mall anchor stores. It's everything that is wrong with Christmas, but somehow still comes off as humorous. Also this movie features that last filmwork by actor John Ritter. At the end of the movie, the darkened heart of Billy Bob opens up as he risks everything to get the little boy a Christmas present. On a side note, this movie also features one of the best movie lines of all time, "Fuck me Santa! Fuck me Santa! Fuck me Santa," as said by actress Lauren Graham.
3. The Grinch: Speaking of dark hearts cracking open at the end, the Grinch is possibly the best character that Dr. Seuss ever created. Now the Jim Carey version lacked what the animated one did...heart. The animated one is about best Christmas movie to watch with your young ones, but not be bored by some message that will make you want to down a shot of Jack Daniels after they go to bed. The Grinch also has a twentieth century classic Christmas song, You're A Mean One Mr. Grinch.
4. National Lampoon's Christmas Vacation: Chevy Chase's Clark Griswold is the everyday dad trying to create the perfect Christmas for his family. From a house massively decorated in lights and annoying his neighbors to a family dinner ruined by the police busting in after Clark kidnaps his boss over a laughable Christmas bonus, Clark feels the pain of a Christmas not going to plan.
5. It's A Wonderful Life: This one speaks well to the current climate of American society...the banker is the evil guy. Featuring an almost suicide by Jimmy Stewart's character until an angel intervenes, this movie actually flopped while it was shown at the theaters. Through television, it survived and became a staple of television stations for over a half a century. This movie also coined the phrase, "Everytime a bell rings, an angel gets his wings."
6. A Christmas Story: The best Christmas movie of the 1980's, this movie features a boy focused on trying to get a Red Ryder BB Gun for Christmas. He deals with a Santa that pushes him down a slide, licking a frozen pole, and a father who receives the sexiest lamp ever. Peter Billingsley's glasses also became an iconic look for the nerdy boy.
7. Scrooged: Bill Murray plays a television exec who has lost his Christmas spirit. A spectacularly funny performance by Carol Kane as the Ghost Of Christmas Present is the perfect match to Billy Murray's Frank Cross. In their pairing, unexpectedly bust Bill's balls...literally.
8. Gremlins: Not very well known as a Christmas movie, Gizmo was possibly the cutest Christmas present a parent could present their son. Unfortunately the three important rules were broken and a small town's Christmas is overun by small, green looking monsters. Despite the troubles, eighties children grew up wanting to own their very own mogwai.
9. Home Alone: Mac's best performance of his career, he was chased by Goodfellas star Joe Pesci and Wonder Years voice Daniel Stern. Forgotten by his departing family on their Christmas vacation, Mac survives on his own and staves off the would be burgulars from robbing his home.
10. A Charlie Brown Christmas: More like a Christmas short movie, I still count this classic because of genuine warm feeling you get when you watch it,. Charlie Brown picks the worst Christmas tree in the lot, which at first couldn't even support one Christmas decoration, but with the help of his friends, has the classic tree any family should have. A b-story of Snoopy decorating his doghouse is also classic.
Honorable Mentions:
The Nightmare Before Christmas (I know many of you are reading this and saying what the hell?! Only honorable mention? Yes, I dislike Disney. Plus unlike some of the other Christmas specials/movies Disney has done in the past, this one is massively commercialized.)
Elf (James Caan is one of the best actors of all time and Will Ferrell is so new to the life experiences he comes across. Zooey Deschanel would also make a big step in this to mainstream her career.)
Rudolph, the Red Nosed Reindeer (A holiday classic, with the best characters being Yukon Cornelius and Bumble the Yeti.)
Die Hard ( Yes, you read that write. Almost making my list, this is probably the most action packed Christmas movie ever. It features a performance by Alan Rickman that is outstanding. He is one of the best villains in movie history.)
Sunday, November 23, 2014
Paparazzi Should be a Synonym for Stalker
In an age where everyone has a camera on them at all times due to smartphones, photographs of celebrities in their most private moments, flood the internet. Now many of these photographs are on personal social media sites like Facebook and were the result of personal encounters with a celebrity in a public place such as a restaurant, but on many for-profit websites, these photos come from photographers that would in any other scenario, be considered a stalker.
Known to the public as paparazzi, the word is an eponym, dating back to the 1960 film "La Dolce Vita". A character in the movie is named Paparazzo, is a news photographer and director Federico Fellini said in an interview with Time magazine, "Paparazzo...suggests to me a buzzing insect, hovering, darting, stinging." By the late 1960's, the term became a commonly used word for intrusive photographers.
It didn't take long for members of the paparazzi to become a thorn in the sides of celebrities.
The usually well mannered, Jacqueline Kennedy Onassis, ordered Secret Service agents to destroy the camera of photographer, Ron Galella. The incident in 1972, led to Galella suing Onassis for damage to his property. She counter-sued, claiming harassment of her and her family. In "Galella v. Onassis", Onassis was able to retain a restraining order against Galella.
Most famously, the intrusiveness of the paparazzi led the death of Princess Diana and film producer Dodi Fayed. Paparazzi became so aggressive in following the two, that after a high-speed car chase, their Mercedes-Benz crashed in the Pont de l'Alma road tunnel. Even with Princess Diana struggling for her last breaths, instead of providing her assistance at the scene, paparazzi raced for the best positions to take pictures of the very accident they caused. Police took several of the photographers into custody, but none of them were ever charged.
In some states and countries, paparazzi are restricted by laws and curfews. In California, a bill was passed in 2013, protecting children of celebrities from the harassment of paparazzi. Ironically, it did not include children who were celebrities themselves.
In other cases, organizations such as TMZ and the Globe, won the right to be considered a form of news media protected by the First Amendment.
Making matters worse, various celebrities have learned how to manipulate the paparazzi to boost their own fame or even make more money. Public relations agencies working for some celebrities, actually will call up paparazzi and inform them of when and where their employers will be. In other situations, some celebrities have even sold the paparazzi photos of themselves or leads to stories such as weddings or pregnancy announcements.
One example is when Kim Kardashian married NBA player Kris Humphries. Though the couple was only married for 72 days, Kardashian pulled in $15 million from the E! for the rights to film the wedding. Not long afterward, after she divorced Humphries, Kardashian married Kanye West and E! once again shelled out the big bucks ($21 million) for the rights to broadcast their wedding. Kardashian earned $36 million for just saying, "I do."
Just two days ago, singer Katy Perry, had a run-in with the paparazzi while trying to take a moment to relax from her Prismatic World Tour. While walking on the beach of Sydney, paparazzi became aggressive with her to the point, that the normally good-natured singer lashed out on them after they demanded that she strip down to her bikini and let them get some shots of her, in exchange for leaving her alone. She took to Twitter, tweeting pictures of some of the photographers and informing her fans that any pictures they see of her on the beach of Sydney, were taken against her will. A couple of the photographers actually had the audacity to lash out against the pictures Perry had taken, were taken against their will.
It is one thing for a celebrity to have pictures taken of them at events such as a movie premier or at a public event of some sort, but at the same time celebrities should be given their privacy. It's one thing for a legitimate fan to possibly snag a selfie with a celebrity, but these moments usually don't result in profit opportunities for the fan. The majority of the time, these fans don't make the celebrity fear for their personal safety.
The paparazzi photographers on the other hand, are basically professional stalkers.
Friday, October 17, 2014
Internet Kills Experience of Retail For Today's Youth
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| Tower Records...photo credit on bottom |
Now this may sound like only a problem for the older generations, but I disagree. One might say that the older generations get gypped because they didn't get to grow up with the technologies that the millennials are growing up with now. Many of these advancements make life easier, which older generations didn't get to utilize while they grew up. Especially when it came to entertainment media.
The way I see it though, it's the youth of today that have been robbed. In a world of instant gratification, the current generation of kids have been robbed of experiences that we, the people of older generation, look back on fondly.
Today's youth can download a song, movie, or book instantly on various devices thanks to the internet, but for those of us who grew up in past decades, sometimes the search made obtaining the prize much more gratifying.
With the invention of software programs like iTunes, record stores began to fall, one by one. The experience of sifting through bins of records and cassettes (yes, not CD's) and finding the gem that you didn't even know existed, made the whole experience feel like it was worth it. Youth of older years would spend hours at record stores, share their music tastes with fellow kids, and often grow up with much more appreciation and ownership of the music artists they enjoyed.
Today, kids have been robbed of this experience. They can sit behind a computer or even a cellphone, pick a specific song they want, and never share the experience of sharing music with anyone beyond their social network. Even the corporate record stores such as Tower Records are gone. Beyond the random indie music store and the limited music selections that Target, Best Buy, and Walmart stores offer, there are no more brick and mortar locations to buy music in person.
The movie industry isn't fairing much better either. A victim of the same circumstances, many rental locations disappeared after a surge in the '90's. Similar to searching for a record in a music store, the experience of searching for a VHS tape on a weekend night has vanished. Searching shelf by shelf, glancing at past movies you never heard of, but had cool box covers, you give a random movie a shot because the description sounded like something you and your friends might enjoy. Now this experience is gone as well.
With technology like Blu-ray in existence, physical movie media is holding on just a little longer than the music industry is. Red Box locations have replaced Blockbuster Video stores, but soon may find themselves being purged when more people grasp onto services like Netflix, Hulu, and iTunes.
Best yet, is the reactions you get when today's youth gets their hands on old forms of media that existed before they were even born. Show a kid a LaserDisc and they'll look at you funny. Show a kid an 8-track and they'll have no idea what they're even holding. Vinyl records have a niche market out there thanks to club DJ's, but otherwise, many of the old forms of entertainment media has been lost on the youth.
Never again will a kid have to remember to rewind a video tape before returning it to the video rental store. Never again will a kid have to flip over a music cassette to hear the music on side two. And I doubt that ever again, will a kid holding a large boombox on his shoulders or over his head, a la John Cusack style, ever be something that the "cool" kids do again.
Tower Records photo uploaded by Caldorwards4 at Wikipedia.com
Saturday, October 11, 2014
Millhouse 2014 MLB Awards
Yep, it's that time of year again where I announced who the winners of the Millhouse awards are for the 2014 MLB season. With the season wrapping up, this is about as good time as any. By the way, my sleeper pick for the American League, the Kansas City Royals are still going strong in the playoffs. Unfortunately, my National League pick of the Nationals lost and my national league sleeper, the Pirates fell in the one game Wild Card round to the Giants.
And now for the awards...
AL MVP: 1. Mike Trout (ANAHEIM Angels), 2. Nelson Cruz (Bal), 3. Jose Abreu (Chi), 4. Jose Altuve (Hou), 5. Miguel Cabrera (Det)...I gave the edge to Trout because of his stolen bases, but just barely. Cruz had such a large impact on the Orioles making the playoffs, it was hard to ignore.
AL Rookie of The Year: 1. Jose Abreu (Chi), 2. Masahiro Tanaka (NYY), 3. Yordano Ventura (KC), 4. Matt Shoemaker (ANAHEIM Angels), 5. Danny Santana (Min)....This was one of the best years for rookies I can recall. In any other season, anyone of these top five guys could have won it. I could have easily went farther to include players like Houston's Colin McHugh and George Springer or Tampa Bay's Jake Ordorizzi.
AL Cy Young: 1. Felix Hernandez (Sea), 2. Chris Sale (Chi), 3. Corey Kluber (Cle), 4. Greg Holland (KC), 5. Matt Scherzer (Det)...Hernandez and Sale were neck and neck to me, but I gave Hernandez the edge because he stayed healthy all season.
AL Silver Sluggers: C-Yan Gomes (Cle), 1B-Jose Abreu (Chi), 2B-Jose Altuve (Hou), 3B-Josh Donaldson (Oak), SS-Alexei Ramirez (Chi), OF-Mike Trout (ANAHEIM Angels), OF-Jose Bautista (Tor), OF-Mickey Brantley (Cle), DH-Nelson Cruz (Bal)
Breakout Player of The Year: Corey Kluber (Cle)
Manager Of The Year: Ned Yost (KC)
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NL MVP: 1. Giancarlo Stanton (Mia), 2. Andrew McCutcheon (Pit), 3. Buster Posey (SF), 4. Todd Frazier (Cin), 5. Ian Desmond (Was)...Giancarlo Stanton squeaked by McCutcheon in my eyes. Stanton's supporting cast wasn't as good and he had to do more to put up the numbers he did.
NL Rookie of The Year: 1. Jacob deGrom (NYM), 2. Billy Hamilton (Cin), 3. Chase Anderson (Ari), 4. Travis D'Arnaud (NYM), 5. Ender Inciarte (Ari)...The NL's race was lackluster compared to the NL. Rookies at best in the NL were role players compared to the AL's top rookies. Billy Hamilton could have won it, but put up subpar numbers during the second half.
NL Cy Young: 1. Clayton Kershaw (LA), 2. Johnny Cueto (Cin), 3. Adam Wainwright (Stl), 4. Craig Kimbrel (Atl), 5. Jordan Zimmerman...Kershaw was the clear winner this year, despite his injury at the beginning of the season.
NL Silver Sluggers: C-Buster Poser (SF), 1B-Adrian Gonzalez (LA), 2B-Neil Walker (Pit), 3B-Todd Frazier (Cin), SS-Ian Desmond (Was), OF-Giancarlo Stanton (Mia), OF-Andrew McCutcheon (Pit), OF-Justin Upton (Atl), UTL-Josh Harrison (Pit), P-Madison Bumgarner (SF)
Breakout Player of The Year: Lucas Duda (NYM)
Manager of The Year: Clint Hurdle (Pit)
Wednesday, October 8, 2014
The 10 Best Cars In Movies Or TV
Everyone who is a fan of movies or television, has at some point or another, wished they an automobile that their favorite fictional characters drove around. Many kids had Hot Wheels, or model toys, or some other toy of their favorite cars. No matter how ridiculous the car might be if it existed in real life, you still wanted it. I give you my list of the top ten best cars in movies or TV, starting first with my number one choice...
1. The Batmobile: There are too many variations of Batman's favorite mode of transportation to identify a specific version as being THE top one. The old Adam West series was iconic and cool, but not the best equipped. The Nolan-verse Batmobile was perfect from a functionality standpoint, but not as stylish as the past versions. Tim Burton stuck a real jet engine in his version. But no matter, what, more people than not, would want the Batmobile if given an option.
2. The DeLorean: The Back To The Future trilogy made the 1982 DeLorean DMC-12 an iconic car, despite being considered an iffy car at best as far as how well it ran, Doc Brown was able to make this car the ultimate time travel device. It could take you anywhere in time you wanted (until it was destroyed in the 1800's) and was sporty enough to look cool in present day as well. Doc fixed it up to even run on garbage, making it an early version of a fuel efficient car.
3. Ecto 1: From Ghostbusters, this 1959 Cadillac Miller-Meteor Hearse was essential to capturing mischievous ghosts. With the screeching alarm and the classic "no ghosts" logo on the side, this was one of the coolest cars in the 1980's. The Kenner toy version was one of the hottest sellers in it's time. The white wall tires, red trim, and the gadgetry on top made this car standout in it's environment.
4. The Flintstones Car: Obviously animated, it would have been the dream car for any man living in the days of the dinosaurs. With it's large rock wheels, it could have doubled for an early steamroller...before steam was even used. The top, made of what is presumably some sort of animal skin and the red wood trim, made it the hottest car in the road in the prehistoric age. If it wasn't a television show, you know you would argue with your friends about how Fred could afford a car that nice with his income. At least it saved him money in gas.
5. The Munsters Koach: The Munsters family traveled in style. This car was designed by George Barris who was also the designer of the Adam West Batmobile. The body of the Munsters Koach is eighteen feet long and pieced together from three Model T cars. Even though the TV series was in black and white, the interior was blood red and the engine was brass. The small details made it an awesome car to drive, even for a monster family.
6. KITT: The Knight Industries Two Thousand, a customized 1982 Pontiac Trans Am, was perhaps a SIRI capable device before Apple developed it. With the voice of Mr. Feeney and the memory capacity of 1,000 megabits, this was the perfect car for Michael Knight. Unmatched computer A.I., the ability to withstand fire, turbo boost, the ability to see and smell, oil jets and smoke screens, flame thrower, tear gas launcher, a telephone Comlink (before cellphones), and much more. If you were a crime fighter for FLAG, you too would need a car with this amount of functionality.
7. Wayne's Pacer: From Wayne's World, Wayne drove a 1976 Pacer, baby blue in color, with flames on the side. Did this car talk? No. Did this car help fight crime? No. Was this car eco-friendly? Probably not. But this was the best car in the 1990's to lip sync to "Bohemian Rhapsody" by Queen. The perfect car to pick up Tia Carrere in.
8. The Mystery Machine: If you were looking for old guys dressed up as ghosts and goblins, this was the essential form of transportation. The 1963 Ford Econoline Customer Van was how The Scooby Gang got around. Inside, the van had shag carpets and enough room to transport a talking Great Dane. As to what made the dog talk, that's a whole different story. Every time the door opened, smoke would flood out, but it went well with the psychedelic paint job.
9. Phoebe's Taxi Cab: After inheriting her car from her deceased grandmother, Phoebe Buffet from Friends often gave her friends a ride in her 1977 Checker Taxi Cab. Perhaps one of the nicest taxis in television, that car took the cast everywhere. It made trips from New York to Las Vegas and took the crew to vacation beach houses.
10. Black Beauty: From the Green Hornet television series in the 1960's, this 1966 Imperial Crown was loaded with weapons and surveillance equipment for Green Hornet and Kato to fight crime in, while pretending to be villains themselves. It was sleek looking with it's glossy black paint and even without it's weapons, would be a smooth car to drive in.
(photo credit to Jennifer Graylock/Ford Motor Company on Wikipedia)
Saturday, September 27, 2014
Three Movies That Made Me Want To Write Screenplays
In some fashion, I've always been a writer since I was a teenager. In college, I took screenwriting classes that opened up the possibility of writing something that could possibly land on a film or television screen one day. Unfortunately nothing did except for a dialogue-less short movie and another short that eventually became the general idea for one of my published short stories.
As with most screenwriters, a movie or multiple movies inspire that idea that you could possibly write too. Whether it's being so inspired by someone's work that it produces your own ideas or being outraged that a movie is so bad that you can do better, everyone has a film that incited them to create their own unique work. Here are my top five....
1. Clerks: Released in 1994, by first time writer/director/actor Kevin Smith, it was shot for just above $27,000 using his own money and maxed out credit cards. To Smith, this was his answer to Richard Linklarter's Slacker. Catching the movie in a theater, Smith was under the belief that he could make a movie on par to the Linklater movie and he went on to enroll in a film school. Dropping out half way through the program because there wasn't enough hands on experience with film production, he took his prorated tuition refund and put it towards making his own movie, along with money he received in government aid after his hometown had a flood.
The movie was shot in black and white and at nighttime at the Quick Stop convenience store, that was his place of employment, to cut down shooting costs. Clerks won awards at Cannes, Sundance, and three Spirit awards while racking up three million dollars in the box office despite the limited amount of theaters showing it.
For me, just as Linklater's Slacker made Kevin Smith think he could do at least just as well, I felt like I could at least shoot something just as good cinematography wise and possibly even writing wise. Topics in the movie ranged from Star Wars, to customer psychology, relationships, and even death. The screenplay was dialogue heavy and between average Joe's getting by in their day to day life. The movie inspired me because it shattered my own belief that movies took millions of dollars to make and that only a few select people could ever make one. True, it's not an easy thing to do this day, but with today's technology, the many new outlets to showcase movies, and the cost of equipment becoming more attainable to buy or rent, it made me think I could one day write and maybe even direct my own movie one day.
2. High Fidelity: Based on Nick Hornby's book of the same name, this movie not only inspired me to want to make a movie, but write a book. Hornby's writing is often in first person and the lead character from High Fidelity, Rob Gordon, often thought a lot like I did about music and even relationships. John Cusack's interpretation of Rob was well done, talking directly to the audience and breaking the fourth wall down to show you what his character was internally thinking in various scenarios. Just like the book, the characters often came up with top five or ten lists of songs or artists in different categories that weren't typically discussed among casual music fans. They also ranked other categories of life such as "Top 5 Girlfriends".
Ironically set in another retail setting, just like one that I was working in at the time, the film was relatable to me. I worked in a music store at the time of the movie was released, I often made lists (and still do) in my head of my top fives and tens, and just like Rob who was going through relationship woes, I wasn't in the most stable of relationships at the time.
When I saw this movie, it opened me to the possibility that I could have a character that revealed his internal thought process to the audience, while still trying to interact with the characters of his world and better his own life. Even at the end of the movie, when everything supposedly gets better, he acknowledges that his life still isn't perfect, but will have to do. It wasn't the happily ever after that many rom-com movies have and made it feel a little more life real life to me.
3. Four Rooms: A movie directed by four different directors, Quentin Tarantino, Robert Rodriguez, Alexdre Rockwell, and Allison Anders. Each director oversaw the filming of one of the four rooms based in a fictional hotel on New Year's Eve night. The protagonist was a bellboy working on his first night, played by Tim Roth. Despite the modern look of cinematography to the movie, the writing seemed to reflect styles that were reminiscent of the 1940's or '50's. Tim Roth played Ted similar to how Jerry Lewis used to act out his characters during his prime.
I liked how each room was a story of its own, but also intermingled beyond the bellboy. One such crossover was when Sarah, the little girl in the third room, makes a call to a random room, she reaches Siegfried from the second room. The idea that completely separate stories could be set in a similar universe and intermingle with each other, was new to me. Kevin Smith in his movies would take this to a more macro scale, as all of his characters existed in the same universe for all his movies containing Jay And Silent Bob. Four Rooms was just like that, but all within one movie. It intrigued me that I could have four separate storylines, yet connect them all together.
And though I have my favorite storyline in this movie (The Wrong Man based in the second room), each story was just as strong as the rest while also subtly displaying the abilities and style of each director involved. Each room was filled with stars and the cast list reads as a who's-who of Hollywood. The cast list included actors and actresses such as Tim Roth, Madonna, Bruce Willis, Quentin Tarantino, Jennifer Beals, Salma Hayek (as an extra), Alicia Witt, Ione Skye, Lili Taylor, Antonio Banderas, Marisa Tomei, and Kathy Griffin.
As with most screenwriters, a movie or multiple movies inspire that idea that you could possibly write too. Whether it's being so inspired by someone's work that it produces your own ideas or being outraged that a movie is so bad that you can do better, everyone has a film that incited them to create their own unique work. Here are my top five....
1. Clerks: Released in 1994, by first time writer/director/actor Kevin Smith, it was shot for just above $27,000 using his own money and maxed out credit cards. To Smith, this was his answer to Richard Linklarter's Slacker. Catching the movie in a theater, Smith was under the belief that he could make a movie on par to the Linklater movie and he went on to enroll in a film school. Dropping out half way through the program because there wasn't enough hands on experience with film production, he took his prorated tuition refund and put it towards making his own movie, along with money he received in government aid after his hometown had a flood.
The movie was shot in black and white and at nighttime at the Quick Stop convenience store, that was his place of employment, to cut down shooting costs. Clerks won awards at Cannes, Sundance, and three Spirit awards while racking up three million dollars in the box office despite the limited amount of theaters showing it.
For me, just as Linklater's Slacker made Kevin Smith think he could do at least just as well, I felt like I could at least shoot something just as good cinematography wise and possibly even writing wise. Topics in the movie ranged from Star Wars, to customer psychology, relationships, and even death. The screenplay was dialogue heavy and between average Joe's getting by in their day to day life. The movie inspired me because it shattered my own belief that movies took millions of dollars to make and that only a few select people could ever make one. True, it's not an easy thing to do this day, but with today's technology, the many new outlets to showcase movies, and the cost of equipment becoming more attainable to buy or rent, it made me think I could one day write and maybe even direct my own movie one day.
2. High Fidelity: Based on Nick Hornby's book of the same name, this movie not only inspired me to want to make a movie, but write a book. Hornby's writing is often in first person and the lead character from High Fidelity, Rob Gordon, often thought a lot like I did about music and even relationships. John Cusack's interpretation of Rob was well done, talking directly to the audience and breaking the fourth wall down to show you what his character was internally thinking in various scenarios. Just like the book, the characters often came up with top five or ten lists of songs or artists in different categories that weren't typically discussed among casual music fans. They also ranked other categories of life such as "Top 5 Girlfriends".
Ironically set in another retail setting, just like one that I was working in at the time, the film was relatable to me. I worked in a music store at the time of the movie was released, I often made lists (and still do) in my head of my top fives and tens, and just like Rob who was going through relationship woes, I wasn't in the most stable of relationships at the time.
When I saw this movie, it opened me to the possibility that I could have a character that revealed his internal thought process to the audience, while still trying to interact with the characters of his world and better his own life. Even at the end of the movie, when everything supposedly gets better, he acknowledges that his life still isn't perfect, but will have to do. It wasn't the happily ever after that many rom-com movies have and made it feel a little more life real life to me.
3. Four Rooms: A movie directed by four different directors, Quentin Tarantino, Robert Rodriguez, Alexdre Rockwell, and Allison Anders. Each director oversaw the filming of one of the four rooms based in a fictional hotel on New Year's Eve night. The protagonist was a bellboy working on his first night, played by Tim Roth. Despite the modern look of cinematography to the movie, the writing seemed to reflect styles that were reminiscent of the 1940's or '50's. Tim Roth played Ted similar to how Jerry Lewis used to act out his characters during his prime.
I liked how each room was a story of its own, but also intermingled beyond the bellboy. One such crossover was when Sarah, the little girl in the third room, makes a call to a random room, she reaches Siegfried from the second room. The idea that completely separate stories could be set in a similar universe and intermingle with each other, was new to me. Kevin Smith in his movies would take this to a more macro scale, as all of his characters existed in the same universe for all his movies containing Jay And Silent Bob. Four Rooms was just like that, but all within one movie. It intrigued me that I could have four separate storylines, yet connect them all together.
And though I have my favorite storyline in this movie (The Wrong Man based in the second room), each story was just as strong as the rest while also subtly displaying the abilities and style of each director involved. Each room was filled with stars and the cast list reads as a who's-who of Hollywood. The cast list included actors and actresses such as Tim Roth, Madonna, Bruce Willis, Quentin Tarantino, Jennifer Beals, Salma Hayek (as an extra), Alicia Witt, Ione Skye, Lili Taylor, Antonio Banderas, Marisa Tomei, and Kathy Griffin.
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