Best Christmas Movies You Should Have Seen

It's that time of year where no matter where you are, especially if you are out shopping, you are surrounded by Christmas music, decorations, lights, and just about everything imaginable. On television, cable stations flood their outgoing feed with Christmas movies that they can only show at this time of the year. Many of these movies are crap, but some are almost requirements to have seen if you call yourself American. In no particular order, I present to you the top ten Christmas movies you should have seen.

1. Miracle On 34th Street: I start with this one because actor Edmund Gwenn, who played Kris Kringle himself, played the part of Santa flawlessly; possibly the best Santa in a movie ever. Recently it also has popped up on some people's Google searches because Susan, the little girl that Santa befriends, is played by Natalie Wood, the focus of the reopened accidental death case involving Robert Wagner and Christopher Walken. In a post World War II (1947) era, this movie solidified the image of a glorified 1940's and 1950's era that many reminesce about.

2. Bad Santa: The opposite of Edmund Gwenn's Santa, Billy Bob Thornton plays a dark and twisted robber who poses as a mall Santa to rob mall anchor stores. It's everything that is wrong with Christmas, but somehow still comes off as humorous. Also this movie features that last filmwork by actor John Ritter. At the end of the movie, the darkened heart of Billy Bob opens up as he risks everything to get the little boy a Christmas present. On a side note, this movie also features one of the best movie lines of all time, "Fuck me Santa! Fuck me Santa! Fuck me Santa," as said by actress Lauren Graham.

3. The Grinch: Speaking of dark hearts cracking open at the end, the Grinch is possibly the best character that Dr. Seuss ever created. Now the Jim Carey version lacked what the animated one did...heart. The animated one is about best Christmas movie to watch with your young ones, but not be bored by some message that will make you want to down a shot of Jack Daniels after they go to bed. The Grinch also has a twentieth century classic Christmas song, You're A Mean One Mr. Grinch.

4. National Lampoon's Christmas Vacation: Chevy Chase's Clark Griswold is the everyday dad trying to create the perfect Christmas for his family. From a house massively decorated in lights and annoying his neighbors to a family dinner ruined by the police busting in after Clark kidnaps his boss over a laughable Christmas bonus, Clark feels the pain of a Christmas not going to plan.

5. It's A Wonderful Life: This one speaks well to the current climate of American society...the banker is the evil guy. Featuring an almost suicide by Jimmy Stewart's character until an angel intervenes, this movie actually flopped while it was shown at the theaters. Through television, it survived and became a staple of television stations for over a half a century. This movie also coined the phrase, "Everytime a bell rings, an angel gets his wings."

6. A Christmas Story: The best Christmas movie of the 1980's, this movie features a boy focused on trying to get a Red Ryder BB Gun for Christmas. He deals with a Santa that pushes him down a slide, licking a frozen pole, and a father who receives the sexiest lamp ever. Peter Billingsley's glasses also became an iconic look for the nerdy boy.

7. Scrooged: Bill Murray plays a television exec who has lost his Christmas spirit. A spectacularly funny performance by Carol Kane as the Ghost Of Christmas Present is the perfect match to Billy Murray's Frank Cross. In their pairing, unexpectedly bust Bill's balls...literally.

8. Gremlins: Not very well known as a Christmas movie, Gizmo was possibly the cutest Christmas present a parent could present their son. Unfortunately the three important rules were broken and a small town's Christmas is overun by small, green looking monsters. Despite the troubles, eighties children grew up wanting to own their very own mogwai.

9. Home Alone: Mac's best performance of his career, he was chased by Goodfellas star Joe Pesci and Wonder Years voice Daniel Stern. Forgotten by his departing family on their Christmas vacation, Mac survives on his own and staves off the would be burgulars from robbing his home.

10. A Charlie Brown Christmas: More like a Christmas short movie, I still count this classic because of genuine warm feeling you get when you watch it,. Charlie Brown picks the worst Christmas tree in the lot, which at first couldn't even support one Christmas decoration, but with the help of his friends, has the classic tree any family should have. A b-story of Snoopy decorating his doghouse is also classic.

Honorable Mentions:
The Nightmare Before Christmas (I know many of you are reading this and saying what the hell?! Only honorable mention? Yes, I dislike Disney. Plus unlike some of the other Christmas specials/movies Disney has done in the past, this one is massively commercialized.)

Elf (James Caan is one of the best actors of all time and Will Ferrell is so new to the life experiences he comes across. Zooey Deschanel would also make a big step in this to mainstream her career.)

Rudolph, the Red Nosed Reindeer (A holiday classic, with the best characters being Yukon Cornelius and Bumble the Yeti.)

Die Hard ( Yes, you read that write. Almost making my list, this is probably the most action packed Christmas movie ever. It features a performance by Alan Rickman that is outstanding. He is one of the best villains in movie history.)

Paparazzi Should be a Synonym for Stalker

 

In an age where everyone has a camera on them at all times due to smartphones, photographs of celebrities in their most private moments, flood the internet. Now many of these photographs are on personal social media sites like Facebook and were the result of personal encounters with a celebrity in a public place such as a restaurant, but on many for-profit websites, these photos come from photographers that would in any other scenario, be considered a stalker.

Known to the public as paparazzi, the word is an eponym, dating back to the 1960 film "La Dolce Vita". A character in the movie is named Paparazzo, is a news photographer and director Federico Fellini said in an interview with Time magazine, "Paparazzo...suggests to me a buzzing insect, hovering, darting, stinging." By the late 1960's, the term became a commonly used word for intrusive photographers.

It didn't take long for members of the paparazzi to become a thorn in the sides of celebrities.

The usually well mannered, Jacqueline Kennedy Onassis, ordered Secret Service agents to destroy the camera of photographer, Ron Galella. The incident in 1972, led to Galella suing Onassis for damage to his property. She counter-sued, claiming harassment of her and her family. In "Galella v. Onassis", Onassis was able to retain a restraining order against Galella.

Most famously, the intrusiveness of the paparazzi led the death of Princess Diana and film producer Dodi Fayed. Paparazzi became so aggressive in following the two, that after a high-speed car chase, their Mercedes-Benz crashed in the Pont de l'Alma road tunnel. Even with Princess Diana struggling for her last breaths, instead of providing her assistance at the scene, paparazzi raced for the best positions to take pictures of the very accident they caused. Police took several of the photographers into custody, but none of them were ever charged.

In some states and countries, paparazzi are restricted by laws and curfews. In California, a bill was passed in 2013, protecting children of celebrities from the harassment of paparazzi. Ironically, it did not include children who were celebrities themselves.

In other cases, organizations such as TMZ and the Globe, won the right to be considered a form of news media protected by the First Amendment. 

Making matters worse, various celebrities have learned how to manipulate the paparazzi to boost their own fame or even make more money. Public relations agencies working for some celebrities, actually will call up paparazzi and inform them of when and where their employers will be. In other situations, some celebrities have even sold the paparazzi photos of themselves or leads to stories such as weddings or pregnancy announcements. 

One example is when Kim Kardashian married NBA player Kris Humphries. Though the couple was only married for 72 days, Kardashian pulled in $15 million from the E! for the rights to film the wedding. Not long afterward, after she divorced Humphries, Kardashian married Kanye West and E! once again shelled out the big bucks ($21 million) for the rights to broadcast their wedding. Kardashian earned $36 million for just saying, "I do."

Just two days ago, singer Katy Perry, had a run-in with the paparazzi while trying to take a moment to relax from her Prismatic World Tour. While walking on the beach of Sydney, paparazzi became aggressive with her to the point, that the normally good-natured singer lashed out on them after they demanded that she strip down to her bikini and let them get some shots of her, in exchange for leaving her alone. She took to Twitter, tweeting pictures of some of the photographers and informing her fans that any pictures they see of her on the beach of Sydney, were taken against her will. A couple of the photographers actually had the audacity to lash out against the pictures Perry had taken, were taken against their will. 

It is one thing for a celebrity to have pictures taken of them at events such as a movie premier or at a public event of some sort, but at the same time celebrities should be given their privacy. It's one thing for a legitimate fan to possibly snag a selfie with a celebrity, but these moments usually don't result in profit opportunities for the fan. The majority of the time, these fans don't make the celebrity fear for their personal safety.

The paparazzi photographers on the other hand, are basically professional stalkers.

Internet Kills Experience of Retail For Today's Youth

Tower Records...photo credit on bottom

 

As technology advances, businesses fade away and the electronics that occupy teenagers changes constantly. When you reach adulthood and raise your own children, they grow up with electronic gadgets that make the devices of your generation look like they belong in "The Flintstones".

Now this may sound like only a problem for the older generations, but I disagree. One might say that the older generations get gypped because they didn't get to grow up with the technologies that the millennials are growing up with now. Many of these advancements make life easier, which older generations didn't get to utilize while they grew up. Especially when it came to entertainment media.

 The way I see it though, it's the youth of today that have been robbed. In a world of instant gratification, the current generation of kids have been robbed of experiences that we, the people of older generation, look back on fondly.

Today's youth can download a song, movie, or book instantly on various devices thanks to the internet, but for those of us who grew up in past decades, sometimes the search made obtaining the prize much more gratifying.

With the invention of software programs like iTunes, record stores began to fall, one by one. The experience of sifting through bins of records and cassettes (yes, not CD's) and finding the gem that you didn't even know existed, made the whole experience feel like it was worth it. Youth of older years would spend hours at record stores, share their music tastes with fellow kids, and often grow up with much more appreciation and ownership of the music artists they enjoyed.

Today, kids have been robbed of this experience. They can sit behind a computer or even a cellphone, pick a specific song they want, and never share the experience of sharing music with anyone beyond their social network. Even the corporate record stores such as Tower Records are gone. Beyond the random indie music store and the limited music selections that Target, Best Buy, and Walmart stores offer, there are no more brick and mortar locations to buy music in person.

The movie industry isn't fairing much better either. A victim of the same circumstances, many rental locations disappeared after a surge in the '90's. Similar to searching for a record in a music store, the experience of searching for a VHS tape on a weekend night has vanished. Searching shelf by shelf, glancing at past movies you never heard of, but had cool box covers, you give a random movie a shot because the description sounded like something you and your friends might enjoy. Now this experience is gone as well.

With technology like Blu-ray in existence, physical movie media is holding on just a little longer than the music industry is. Red Box locations have replaced Blockbuster Video stores, but soon may find themselves being purged when more people grasp onto services like Netflix, Hulu, and iTunes.

Best yet, is the reactions you get when today's youth gets their hands on old forms of media that existed before they were even born. Show a kid a LaserDisc and they'll look at you funny. Show a kid an 8-track and they'll have no idea what they're even holding. Vinyl records have a niche market out there thanks to club DJ's, but otherwise, many of the old forms of entertainment media has been lost on the youth.

Never again will a kid have to remember to rewind a video tape before returning it to the video rental store. Never again will a kid have to flip over a music cassette to hear the music on side two. And I doubt that ever again, will a kid holding a large boombox on his shoulders or over his head, a la John Cusack style, ever be something that the "cool" kids do again.

Tower Records photo uploaded by Caldorwards4 at Wikipedia.com

Millhouse 2014 MLB Awards

Yep, it's that time of year again where I announced who the winners of the Millhouse awards are for the 2014 MLB season. With the season wrapping up, this is about as good time as any. By the way, my sleeper pick for the American League, the Kansas City Royals are still going strong in the playoffs. Unfortunately, my National League pick of the Nationals lost and my national league sleeper, the Pirates fell in the one game Wild Card round to the Giants.

And now for the awards...

AL MVP: 1. Mike Trout (ANAHEIM Angels), 2. Nelson Cruz (Bal), 3. Jose Abreu (Chi), 4. Jose Altuve (Hou), 5. Miguel Cabrera (Det)...I gave the edge to Trout because of his stolen bases, but just barely. Cruz had such a large impact on the Orioles making the playoffs, it was hard to ignore.

AL Rookie of The Year: 1. Jose Abreu (Chi), 2. Masahiro Tanaka (NYY), 3. Yordano Ventura (KC), 4. Matt Shoemaker (ANAHEIM Angels), 5. Danny Santana (Min)....This was one of the best years for rookies I can recall. In any other season, anyone of these top five guys could have won it. I could have easily went farther to include players like Houston's Colin McHugh and George Springer or Tampa Bay's Jake Ordorizzi.

AL Cy Young: 1. Felix Hernandez (Sea), 2. Chris Sale (Chi), 3. Corey Kluber (Cle), 4. Greg Holland (KC), 5. Matt Scherzer (Det)...Hernandez and Sale were neck and neck to me, but I gave Hernandez the edge because he stayed healthy all season.

AL Silver Sluggers: C-Yan Gomes (Cle), 1B-Jose Abreu (Chi), 2B-Jose Altuve (Hou), 3B-Josh Donaldson (Oak), SS-Alexei Ramirez (Chi), OF-Mike Trout (ANAHEIM Angels), OF-Jose Bautista (Tor), OF-Mickey Brantley (Cle), DH-Nelson Cruz (Bal)

Breakout Player of The Year: Corey Kluber (Cle)

Manager Of The Year: Ned Yost (KC)
--------------------------------------------------------------
NL MVP: 1. Giancarlo Stanton (Mia), 2. Andrew McCutcheon (Pit), 3. Buster Posey (SF), 4. Todd Frazier (Cin), 5. Ian Desmond (Was)...Giancarlo Stanton squeaked by McCutcheon in my eyes. Stanton's supporting cast wasn't as good and he had to do more to put up the numbers he did.

NL Rookie of The Year: 1. Jacob deGrom (NYM), 2. Billy Hamilton (Cin), 3. Chase Anderson (Ari), 4. Travis D'Arnaud (NYM), 5. Ender Inciarte (Ari)...The NL's race was lackluster compared to the NL. Rookies at best in the NL were role players compared to the AL's top rookies. Billy Hamilton could have won it, but put up subpar numbers during the second half.

NL Cy Young: 1. Clayton Kershaw (LA), 2. Johnny Cueto (Cin), 3. Adam Wainwright (Stl), 4. Craig Kimbrel (Atl), 5. Jordan Zimmerman...Kershaw was the clear winner this year, despite his injury at the beginning of the season.

NL Silver Sluggers: C-Buster Poser (SF), 1B-Adrian Gonzalez (LA), 2B-Neil Walker (Pit), 3B-Todd Frazier (Cin), SS-Ian Desmond (Was), OF-Giancarlo Stanton (Mia), OF-Andrew McCutcheon (Pit), OF-Justin Upton (Atl), UTL-Josh Harrison (Pit), P-Madison Bumgarner (SF)

Breakout Player of The Year: Lucas Duda (NYM)

Manager of The Year: Clint Hurdle (Pit)

The 10 Best Cars In Movies Or TV

Everyone who is a fan of movies or television, has at some point or another, wished they an automobile that their favorite fictional characters drove around. Many kids had Hot Wheels, or model toys, or some other toy of their favorite cars. No matter how ridiculous the car might be if it existed in real life, you still wanted it. I give you my list of the top ten best cars in movies or TV, starting first with my number one choice...

1. The Batmobile: There are too many variations of Batman's favorite mode of transportation to identify a specific version as being THE top one. The old Adam West series was iconic and cool, but not the best equipped. The Nolan-verse Batmobile was perfect from a functionality standpoint, but not as stylish as the past versions. Tim Burton stuck a real jet engine in his version. But no matter, what, more people than not, would want the Batmobile if given an option.

2. The DeLorean: The Back To The Future trilogy made the 1982 DeLorean DMC-12 an iconic car, despite being considered an iffy car at best as far as how well it ran, Doc Brown was able to make this car the ultimate time travel device. It could take you anywhere in time you wanted (until it was destroyed in the 1800's) and was sporty enough to look cool in present day as well. Doc fixed it up to even run on garbage, making it an early version of a fuel efficient car.

3. Ecto 1: From Ghostbusters, this 1959 Cadillac Miller-Meteor Hearse was essential to capturing mischievous ghosts. With the screeching alarm and the classic "no ghosts" logo on the side, this was one of the coolest cars in the 1980's. The Kenner toy version was one of the hottest sellers in it's time. The white wall tires, red trim, and the gadgetry on top made this car standout in it's environment.

4. The Flintstones Car: Obviously animated, it would have been the dream car for any man living in the days of the dinosaurs. With it's large rock wheels, it could have doubled for an early steamroller...before steam was even used. The top, made of what is presumably some sort of animal skin and the red wood trim, made it the hottest car in the road in the prehistoric age. If it wasn't a television show, you know you would argue with your friends about how Fred could afford a car that nice with his income. At least it saved him money in gas.

5. The Munsters Koach: The Munsters family traveled in style. This car was designed by George Barris who was also the designer of the Adam West Batmobile. The body of the Munsters Koach is eighteen feet long and pieced together from three Model T cars. Even though the TV series was in black and white, the interior was blood red and the engine was brass. The small details made it an awesome car to drive, even for a monster family.

6. KITT: The Knight Industries Two Thousand, a customized 1982 Pontiac Trans Am, was perhaps a SIRI capable device before Apple developed it. With the voice of Mr. Feeney and the memory capacity of 1,000 megabits, this was the perfect car for Michael Knight. Unmatched computer A.I., the ability to withstand fire, turbo boost, the ability to see and smell, oil jets and smoke screens, flame thrower, tear gas launcher, a telephone Comlink (before cellphones), and much more. If you were a crime fighter for FLAG, you too would need a car with this amount of functionality.

7. Wayne's Pacer: From Wayne's World, Wayne drove a 1976 Pacer, baby blue in color, with flames on the side. Did this car talk? No. Did this car help fight crime? No. Was this car eco-friendly? Probably not. But this was the best car in the 1990's to lip sync to "Bohemian Rhapsody" by Queen. The perfect car to pick up Tia Carrere in.

8. The Mystery Machine: If you were looking for old guys dressed up as ghosts and goblins, this was the essential form of transportation. The 1963 Ford Econoline Customer Van was how The Scooby Gang got around. Inside, the van had shag carpets and enough room to transport a talking Great Dane. As to what made the dog talk, that's a whole different story. Every time the door opened, smoke would flood out, but it went well with the psychedelic paint job.

9. Phoebe's Taxi Cab: After inheriting her car from her deceased grandmother, Phoebe Buffet from Friends often gave her friends a ride in her 1977 Checker Taxi Cab. Perhaps one of the nicest taxis in television, that car took the cast everywhere. It made trips from New York to Las Vegas and took the crew to vacation beach houses.

10. Black Beauty: From the Green Hornet television series in the 1960's, this 1966 Imperial Crown was loaded with weapons and surveillance equipment for Green Hornet and Kato to fight crime in, while pretending to be villains themselves. It was sleek looking with it's glossy black paint and even without it's weapons, would be a smooth car to drive in.

(photo credit to Jennifer Graylock/Ford Motor Company on Wikipedia)

Three Movies That Made Me Want To Write Screenplays

In some fashion, I've always been a writer since I was a teenager. In college, I took screenwriting classes that opened up the possibility of writing something that could possibly land on a film or television screen one day. Unfortunately nothing did except for a dialogue-less short movie and another short that eventually became the general idea for one of my published short stories.

As with most screenwriters, a movie or multiple movies inspire that idea that you could possibly write too. Whether it's being so inspired by someone's work that it produces your own ideas or being outraged that a movie is so bad that you can do better, everyone has a film that incited them to create their own unique work. Here are my top five....

1. Clerks: Released in 1994, by first time writer/director/actor Kevin Smith, it was shot for just above $27,000 using his own money and maxed out credit cards. To Smith, this was his answer to Richard Linklarter's Slacker. Catching the movie in a theater, Smith was under the belief that he could make a movie on par to the Linklater movie and he went on to enroll in a film school. Dropping out half way through the program because there wasn't enough hands on experience with film production, he took his prorated tuition refund and put it towards making his own movie, along with money he received in government aid after his hometown had a flood.

The movie was shot in black and white and at nighttime at the Quick Stop convenience store, that was his place of employment, to cut down shooting costs. Clerks won awards at Cannes, Sundance, and three Spirit awards while racking up three million dollars in the box office despite the limited amount of theaters showing it.

For me, just as Linklater's Slacker made Kevin Smith think he could do at least just as well, I felt like I could at least shoot something just as good cinematography wise and possibly even writing wise. Topics in the movie ranged from Star Wars, to customer psychology, relationships, and even death. The screenplay was dialogue heavy and between average Joe's getting by in their day to day life. The movie inspired me because it shattered my own belief that movies took millions of dollars to make and that only a few select people could ever make one. True, it's not an easy thing to do this day, but with today's technology, the many new outlets to showcase movies, and the cost of equipment becoming more attainable to buy or rent, it made me think I could one day write and maybe even direct my own movie one day.

2. High Fidelity: Based on Nick Hornby's book of the same name, this movie not only inspired me to want to make a movie, but write a book. Hornby's writing is often in first person and the lead character from High Fidelity, Rob Gordon, often thought a lot like I did about music and even relationships. John Cusack's interpretation of Rob was well done, talking directly to the audience and breaking the fourth wall down to show you what his character was internally thinking in various scenarios. Just like the book, the characters often came up with top five or ten lists of songs or artists in different categories that weren't typically discussed among casual music fans. They also ranked other categories of life such as "Top 5 Girlfriends".

Ironically set in another retail setting, just like one that I was working in at the time, the film was relatable to me. I worked in a music store at the time of the movie was released, I often made lists (and still do) in my head of my top fives and tens, and just like Rob who was going through relationship woes, I wasn't in the most stable of relationships at the time.

When I saw this movie, it opened me to the possibility that I could have a character that revealed his internal thought process to the audience, while still trying to interact with the characters of his world and better his own life. Even at the end of the movie, when everything supposedly gets better, he acknowledges that his life still isn't perfect, but will have to do. It wasn't the happily ever after that many rom-com movies have and made it feel a little more life real life to me.

3. Four Rooms: A movie directed by four different directors, Quentin Tarantino, Robert Rodriguez, Alexdre Rockwell, and Allison Anders. Each director oversaw the filming of one of the four rooms based in a fictional hotel on New Year's Eve night. The protagonist was a bellboy working on his first night, played by Tim Roth. Despite the modern look of cinematography to the movie, the writing seemed to reflect styles that were reminiscent of the 1940's or '50's. Tim Roth played Ted similar to how Jerry Lewis used to act out his characters during his prime.

I liked how each room was a story of its own, but also intermingled beyond the bellboy. One such crossover was when Sarah, the little girl in the third room, makes a call to a random room, she reaches Siegfried from the second room. The idea that completely separate stories could be set in a similar universe and intermingle with each other, was new to me. Kevin Smith in his movies would take this to a more macro scale, as all of his characters existed in the same universe for all his movies containing Jay And Silent Bob. Four Rooms was just like that, but all within one movie. It intrigued me that I could have four separate storylines, yet connect them all together.

And though I have my favorite storyline in this movie (The Wrong Man based in the second room), each story was just as strong as the rest while also subtly displaying the abilities and style of each director involved. Each room was filled with stars and the cast list reads as a who's-who of Hollywood. The cast list included actors and actresses such as Tim Roth, Madonna, Bruce Willis, Quentin Tarantino, Jennifer Beals, Salma Hayek (as an extra), Alicia Witt, Ione Skye, Lili Taylor, Antonio Banderas, Marisa Tomei, and Kathy Griffin.

Review of The First Episode of Gotham (spoilers after second picture)

A day late, but I finally got to see the first episode of the new television series Gotham. Leading up to the debut of the show, I was excited to finally get a Batman based television show. Yes I know "Birds Of Prey" existed for almost a whole season on the former WB Network, but Batman never made an appearance, even if only as Bruce Wayne. In fact the only allusion to Bruce Wayne in a live action series since "Batman" from the '60's was in Smallville in a Lex Luthor flashback to his teenage days when one of his fellow students was named Bruce. Finally as a DC Comics fan, I finally got to see a Bruce Wayne on television--that wasn't doing a Bat-Toosie.

Unfortunately, I came away with both hope and anger from the pilot episode. I'll start with the negatives and wrap it up with the positives. Also I'm using the picture below to divide the intro of this blog from the pros and cons so I don't spoil anything for anyone who has yet to watch the show. So if you have yet to watch the show, do not read past this...

The Cons:
I'm not exactly sure where to start, so I'll go character by character.

Oswald Cobblepot has a significant role in the pilot episode...but as a lackey to Fish Mooney. By this point, he should be an established boss himself. His family was one of the First Families of Gotham along with the Wayne family, the Kanes, the Elliots, and the Crownes. He is from a family of wealth and shouldn't be rubbing feet of local gang bosses and running around like a butler. The writers also heavily emphasized that he is nicknamed the Penguin, which in the show, the character hates. It almost happens so much, some of the characters almost seem to go out of their way to call him that. Cobblepot in the comics wasn't ashamed or angered by his Penguin nickname, but so far in the show he is. Hopefully he will adopt it.

Selina Kyle is introduced in the pilot as mainly an observer. She is an hidden witness to the murder of Bruce's parents which is unlike the comics. If she witnessed the murder, I wouldn't have expected her to try to interfere, but just her presence seems a bit off. Selina also appears to be wearing an early version of a Catwoman costume, but she never took on that persona until she was an adult in the comics. The actress who plays her, Camren Bicondova, is fifteen years old in real life and it appears so far that is the age of her character. In the comics, she is slightly younger than Bruce Wayne, yet appears to be at least three years older that Bruce in this show. Lastly, most of the developments that turn her to becoming Catwoman, happened in her early adult years. Unless Gotham skips some years into the future or the show goes on for at least four or maybe five seasons, I don't see how you can properly develop her character as a prominent character in this show.

Ivy Pepper is a big spike to the heart for me. First off, this is the character that is supposed to be Poison Ivy, but Poison Ivy's name in the comics is Pamela Isley (Lillian Rose originally). She appears to be no older than seven to eight years old, which would make the age about right in comparison to Bruce, but she never becomes a villain until she's at least in college. Pamela grew up in an abusive home and the Mario Pepper character that's her father fits that role, but he is killed in the pilot while the mother lives on. In the comics, he kills Pamela's mother and buries her in the garden. I also don't like that with this character, as I stated it will at least a good ten or eleven years before she starts doing anything "evil" and that's only pheromone pills to fellow college students. She eventually becomes one of the biggest eco-terrorist alive, but not until her adult years. Introducing her character seems to be way too early.

Edward Nigma played a small role in Gotham as a coroner for the Gotham P.D. In the comics, there has never been an origin story that ever mentioned that he worked for the police department as a coroner. In either version of his origin story, he never works for the public sector. He was a carney in one version and a Wayne Enterprises employee in another.

Another stickler, despite how small the detail might be, was that when Gordon meets Bruce Wayne for the first time at the murder scene, he is supportive, but distant. In the comics and even in the Nolan-verse, Gordon puts his jacket on a young Bruce and the kid cries his eyes out. In the show, Bruce already has a blanket on, so I understand not trying to place his jacket on the kid, but there isn't that connection really. It was that simple connection that kept Gordon in Bruce's memory as he got older and built that first layer of trust between the two, even though Gordon is unaware that Bruce is Batman.

Other negatives that bugged me included the small nod to the Joker, the harlequin dancers, and the Renee Montoya and Crispus Allen team up. It seemed that the writers were trying to prove their knowledge of DC Comics and stuff everyone they could into the first episode. The comedian who entertained Fish Mooney was clearly the nod to Joker's origin as a failed comedian. The harlequin dancers on the stage when Gordon first met Mooney is a small nod to Harley Quinn. They wore the red and black alternating colors in their lingerie. Finally the duo of Renee Montoya and Crispus Allen. While Allen and Montoya were partners at one point in the comics, it was because Commissioner Gordon is the one that assigned them together. Gordon in the show is younger and lower ranked than her unlike the comics. It also seems to early to introduce Crispus Allen to the show as well.

The Positives:
Donal Logue plays a good Harvey Bullock. He is content on living with organized crime, instead of trying to take it down like Gordon wants. Bollock comes off as a borderline villain himself, but being the first episode, it gives him plenty of time to develop as a character and redeem himself bit by bit.

A Batman show that has Montoya! Now, I know I just complained a couple of paragraphs ago about her role, but the fact that the writers included her in the show is great. In the comics, she is a cop that eventually washes out from an alcohol addition and almost fades away until The Question takes her under his wings and mentors her to take his place. She played the role of The Question extremely well in the comics and I hope that there is some nod to her possible future as the show goes on. I just wished that they didn't make her character older and higher ranked than Gordon. She also has some sort of hidden past with the future Mrs. Gordon, which if played right, can be awesome or fail horribly. I'm still on the fence about that, but I am hopeful.

David Mazouz is the kid with the weight of the world on his shoulders. He is given the task of playing the pre-teen Bruce Wayne. From a casting standpoint, he appears to be a good pick. Visually he looks like he could be a young Bruce Wayne and he appears to have the gravitas to pull off the brooding personality.

Crispus Allen makes an appearance! While it's too early in my opinion, for him to be part of the Batman world, I think it's great that the future Spectre is on the show. Knowing his future role in the comics, I am going to keep my eye out for a Gotham cop named Jim Corrigan, who is Allen's murderer. Should be interesting since both Allen and Corrigan play host to The Spectre. While the show so far has played like a real life drama, I wonder if they'll add the supernatural element then when or if Allen is killed.

Ben McKenzie of The OC fame takes on the lead role of James Gordon. So far after one episode, all is well. He seems to have that unwavering quality about him that he fights for good, no matter what. He breaks up the beating of the Fish Mooney lackey, saves Cobblepot's life by faking his murder, and promises Bruce that he will find Thomas and Martha's killer. I hope that they don't necessarily play this up too much verbally, but instead continue to show that he's THE good guy by his actions. The only thing he needs is the mustache, but there's time to grow that as the show progresses.

Lastly, I sort of like the role of Fish Mooney played by Jada Pinkett Smith, but I'm torn at the same time. While I do admit to liking a show more when it follows comic book cannon as closely as possible, sometimes there does need to be a little variance to give the show it's own personality. Fish Mooney doesn't exist in cannon, but I wonder if her character is derived from a pre-existing midlevel boss such as Great White. While not disfigured like Warren White was, she shares the aquatic theme and is placed about the same level of "boss hood" as Great White was in the comics. Warren White went mad and adopted his Great White role and maybe that's something similar to what the writers have planned for Fish Mooney. I also can foresee a bad pun coming up soon when Cobblepot eventually overthrows her (he already has shown interest in doing show) from his position..."Penguins eat fish".

Last Thoughts:
I like the prospects of the show so far. The potential is there to be great, but also to be bad. I'm hopeful that the writers keep it a little closer to cannon and don't take too many liberties with the Batman universe. They already have with Fish Mooney, but there was room there to create a midlevel crime boss that early into Bruce's life. It's not as if the biggest comic book readers can identify all the midlevel bosses of Gotham before Batman came around. Gotham producers seem to have casted Bruce Wayne, James Gordon, and Fish Mooney well. I just hope that future roles keep up the decent casting they've done so far. I hope to see future appearances by other Gotham staples such as Thomas Elliot (Bruce's old best friend and future Hush), the Flying Graysons, and maybe some hints or mention of The Court Of Owls. If done right, I can see this show lasting as long as Smallville did and hopefully it ends with some sort of glimpse of a young Batman.